The further development of my final page spreads for the Children’s Book Brief
In order to improve my work I decided to develop my final pages further. I needed to neaten up the hand written text in order for my pages to look more professional. I did this by writing the text again using a thinner, sharper conte pencil.
I also re-did one of my pages entirely, I kept the same composition and idea for the page but I made the background lighter in order to bring the focus to the foreground of the image. I also changed the colour of the brother and the boar to more purple based browns so that they fit ore with the other colours used in the image. I also developed my technique further by using more of the conte pencil to highlight certain parts of the page other than just the characters. I think that this helped to pull the whole page together and it added a little bit more detail to the image.
The development of my two final colour page spreads and the cover for my illustrated book based on the story The Singing Bone.
After I had finished my dummy book I started my finished, full colour page spreads. Part of the brief was to do 2 finished colour page spreads as well as the finished cover in colour. I started by choosing 2 pages that I thought would contrast with each other and that would look interesting in colour. I then used a number of materials to add colour including watercolour, gouache, acrylic paint and a conte pencil.
I then used photoshop and indesign to add text to the cover and to the pages. I also added page and bleed lines to the images. The text is hand written, I decided to do this as I felt it would fit with the simple, rustic theme more. This also allowed me to simply emphasise words which add to the drama of the story. I also made a change to one of the pages in photoshop, I decided to move the character up the page as he was too close to the edge, I think this has made him easier to see.
Children’s Book Brief- Finished Page
To improve these pages I would change some things. I need to re-doo the text to make it more even and regular as at the moment it looks too rough. I would also experiment more with line and develop the paint and charcoal/conte pencil technique. I would use different thicknesses of line in my images and use line for other parts of the pictures and not just the characters as i think this would help me to bring my composition together as a whole. I would also make the background lighter in the image with the boar in order to emphasise what is going on in the foreground.
The mock book that I made containing pencil sketches based on the story The Singing Bone.
As part of the brief we had to produce a dummy book which included rough sketches for all of the pages of our book, the title page, the endpapers and the cover. I started by drawing out all my roughs first, I then stitched them together to keep them in place. I then made the endpapers and covers and attached them to the pages of the book. Most of the pages in my dummy book are the same as the rough sketches in my flat page plan. One of the things that I have changed is the position of the text on some of the pages so that I could fit it in without interfering with the images. I also changed the format of the text on the text only pages, they now have individual backgrounds to fit with each opposite page. Another change is that not all of the text pages feature the text in a white box, this feature only appears on some pages where the backgrounds are dark or the text overlaps different features of the background.
A colour page plan for my illustrated book The Singing Bone based on The Grimm Brother’s story for the children’s book brief.
In order to demonstrate how my book would look in full colour I made a rougher, more vague version of my page plan. I used watercolours to roughly show what colours would be present on each page and where. I did this as it helps people to get a better feel for how the whole book would look, it also emphasises what is happening on each page and it helps the viewer to connect with the story more.
The page plan for my illustrated children’s book based on the story The Singing Bone by the Grimm Brothers. this is for the children’s book brief.
After deciding how the characters would look I moved on to the flat plan layout of my book. I started by deciding on the format of my book. i have chosen to make a square book as it will allow me to do double page landscapes and I think that a square book will be more appealing to children. The text that I will be using for my book is the original text from the Grimm Brothers that has been translated. Once I had decided on what version I was using I read through the text breaking it up into different pages. I then drew out my ideas for each page. I decided to vary the layout with some pages being double page spreads and some pages just being text and some just an image. I thought that this layout would make the book more visually interesting and it also allowed me to incorporate the whole text as the story is quite long.
I was quite happy with how well the layout flowed so I will not be re-dooing this page plan but I will be doing a colour version of this to show how the book would look in colour as a whole as colour is quite important for a children’s book. I am not too happy with some of the pages but I would like to test them in colour first to see what they’d look like. I like the continuation of trees throughout my book, for example their inclusion on the endpapers, I think that it helps to bring the whole book together and that it also helps to make it flow visually. To improve it I think that the characters need to be brought to life more, on some of the pages in the book they look too wooden and not alive.
Work from a group project about a soldier’s story from the Spanish Civil War.
For this group project we were put into groups and given the name and some information of a soldier from Cardiff that fought in the Spanish Civil War. The outcome of the project was to work together to create an exhibition telling the story of the person we were given. Our group was given a man that was originally from Cicero in Spain, who moved to Cardiff whilst trying to escape the civil war. His story was about him joining the Union’s Militia in Spain where he fought in some battles but had to retreat. His story then documents how he sailed to France to try and escape the war, then ended up back in Spain. He then went on to become a sailor and went to Canada, Scotland and then finally Cardiff. His story ended with him going back to his home village of Cicero in Spain in the 70s.
As a group we started by brainstorming our ideas, talking about the most significant parts of his journey and the ones we should include in our exhibition. We decided on each of us doing a different aspect of his story which we would then bring together using a map that we would make plotting out his journey during the Spanish Civil War. We decided to work separately but we would all take inspiration from propaganda posters from that time so our work would all fit together at the end.
I drew the map that showed our person’s journey during the war. I collaborated with an animation student who added the animated affects that showed where he had been.
I chose an old fashioned style as it has similar colours to those used in the propaganda posters. Once I had drawn and coloured it Alys from animation added the animated affects that plotted out where our soldier had been and in what order.
I also made some small postcards for the exhibition. I decided on 3 places he had been, Barcelona, Paris and Cardiff. I then looked at some old postcards taking inspiration from propaganda as well. I then screen printed these postcards using stencils. I only printed 2 colours for each card because of limited time so I printed onto colour paper and used coloured card to add grass to them.
A summary of the work produced throughout this project and what I have learnt doing it.
The outcome of this project was to produce a shadow puppet show based on the book Metamorphosis by Franz Kafka. We had to work as a group to write the script, make the puppets and set and to preform the play at the end.
Gregor with a human face
We started by making the shadow puppets. This helped me to understand how to design simple characters that were easily identifiable as the characters in the book. It also helped me to understand how characters are developed. I also learnt how to exaggerate characters to make them easier to understand, for example I made a puppet of Gregor, the main character, as a beetle but with a human head to show that he was really human and not just a bug.
We then started making the props for the set. I learnt how important composition is when using cutouts of furniture to try and show the difference between a bedroom and a living room.
When making the city houses to make up some of the frame for the set I learnt again about the importance of composition. I learnt that I needed to vary the design of the buildings in order to make them look easily identifiable and more visually interesting as not much detail could be added to them as they were just silhouettes. I also used coloured acetate to represent the light shining through the windows of the building.
The final show lasted approximately 15 minutes. Below are some photos of the set whilst it was being assembled and the final set ready for the show. The different pieces of the set went together really well. We tried to include the surrounding city and apartments in the set. The final show went well, some things wet wrong but it added to the charm of it.